The Manufacture of Celluloid.
As celluloid has of late been again advancing in favour with
the profession [i.e., dentistry], perhaps a description of the way in which it is
made may be of interest. The substance is, as is well known, of
American invention, and was first made at Newark, New Jersey,
about twenty years ago; it is now made also in France and
Germany. We are indebted to Le Progrès Dentaire
for the following
description of the process as carried out at a manufactory near
Paris.
A roll of paper is slowly unwound and is at the same time
saturated with a mixture composed of five parts of sulphuric acid
and two of nitric which falls on the paper in a fine spray.
This changes the cellulose of the paper into a fine pyroxyline
(gun-cotton.) The excess of acid having been expelled by pressure,
the paper is washed with plenty of water, until all traces of acid
have been removed; it is then reduced to pulp, and passes on to
the bleaching trough. Most of the water having been got rid of
by means of a strainer, the pulp is mixed with from twenty to
forty per cent. of its weight of camphor and the mixture thoroughly
triturated under mill-stones. The necessary colouring matter
having been added in the form of powder, a second mixing and
grinding follows. The finely divided pulp is then spread out in
thin layers on slabs, and from twenty to twenty five of these layers
are placed in a hydraulic press, separated from one another by
sheets of blotting paper, and are subjected to a pressure of a
hundred and fifty atmospheres, until all traces of moisture have
been got rid of. The plates thus obtained are broken up and
soaked for twenty-four hours in alcohol. The matter is then
passed between rollers heated 140° and 150°
Fahrenheit,
whence it issues in the form of elastic sheets. Celluloid is
made to imitate amber, tortoise-shell, coral, malachite, ebony,
ivory, &c., and besides its employment in dentistry, is used to
make mouth-pieces for pipes and cigar-holders, handles for
table-knives and umbrellas, combs, shirt-fronts and collars, and a
number of fancy articles.
The following strange story was reported to the world by news agencies, but there
appears not to be any surviving account in Philadelphia newspapers where the
incident occurred. The articles were reprinted globally
with headlines like "A new form of murder," and
"Dastardly Exploit of a Revengeful Lover."
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HORRIBLE REVENGE.
Dreadful Treatment of a Rival in
a Love Affair.
A Terrible Device to Dispose of a Young
Man Who Had Succeeded in Securing
the Affections of a Young Woman
in Philadelphia.
[Phlladelphia Cor. N. Y. Herald.]
A few days ago Casper Rosenstahl, a
morocco leather-worker, was taken to the
Episcopal Hospital in an unconscious
condition suffering from a dreadful wound in
his face. His under jaw was broken and
lascerated, several teeth in both jaws were
missing, and the bones were bare of flesh
in places. Two men, who had been working
on the street near by, approached about
the same time. One of them, Jack Wartung,
or Whartung, declared that he saw
the same man pass down from Waterloo
street a few minutes before, going toward
Frankford road. He carried a large white
meerschaum pipe in his left hand, evidently
unlighted. I may anticipate events at
this point far enough to say that careful
scrutiny at the spot where the body was
found showed a burnt match, some tobacco,
and several pieces of a short pipe-stem. A
search of the man's garments revealed his
name and address and a pipe-case. The
pipe that the witness Whartung had seen
the injured man carrying had disappeared
probably been taken by some passing
pedestrian.
The wounds were dressed with lint and
bandages, and the return to consciousness
of the patient was awaited for an explanation
as to the cause of his injuries.
Robbery was clearly not the object of the
attack upon him, because sixty-four dollars
were found in his wallet and silver change
in several parts of his clothes.
The police opinion in the Twenty-fourth
District was that the man had been struck
by one of the shifter-engines on Lehigh
avenue and had crawled as far as the place
at which he was found before succumbing
to weakness. This theory involved the
supposition that the workman Whartung
was mistaken. John Sharkey, a private
detective, was brought into the case this
afternoon, and after visiting the locality
expressed the opinion that Whartung had
seen the man as described, and that the
catastrophe, whatever it may have been,
had occurred at the spot where the body
was found.
Detective Sharkey returned in the
direction of Otis street, intending to make
inquiries at the injured man's boarding-house,
near Diamond; but as he approached
the house he saw a young woman coming
toward him at a high rate of speed. Her
manner was sufficient to attract attention
to her. Detective Sharkey stopped and
awaited her coming. Her face was marked
with anxiety and tears stood in her eves,
and, as she came closer, she was heard
talking to herself in an absent, preoccupied
way. Sharkey guessed at once that this
girl had heard of Rosenstahl's injuries and
was hurrying to the hospital to him. A
sister, or perhaps a sweetheart? He spoke
promptly:
"How is Caspar Rosenstahl by this
time?"
"I know nothing, sir," was the quick,
startled reply, as the girl strove to hurry
onwards.
"But he is dangerously wounded?"
"I haf just hear so,"
more nervously.
"You are going to the hospital?"
"Yes. I must be quick."
"Wait one moment. What is your
name?" asked the officer.
"Rebecca Kavoritsky, of Almond street.
But he may die. I will go," and she started
forward. The detective was as nimble as
the maiden and ran to her side. He
explained that he was an officer and was
endeavoring to find the assailant of her
friend.
The couple were hurrying north on Front
street as fast as their feet would take them.
It was with the greatest difficulty that the
detective elicited the fact that the injured
man had been a lover of the girl and that
he had asked her to become his wife.
When the question was asked: "Who
could have done this?" and "Who was his
enemy?" she was silent. Finally the
woman stammered:
"You suspect me. I am not guilty. Got
know, I not do dees crime."
Detective Sharkey, then remembering
the name on a circular which he had seen
at the hospital, asked:
"Who is Bazinskie?"
The woman's eyes stared in terror. She
screamed, staggered and would have fallen
had the officer not caught her. She almost
shrieked:
"Haf he confess?"
"He will tell all," said the detective,
guardedly, surprised at the turn affairs
had suddenly taken.
"Oh Bazinskie haf murter my poor
Casper." And she burst into a violent fit
of weeping. Finally she said: "I will
tell."
Her story, flavored as it is with comedy
and tragedy, is one of the most remarkable
ever told. With all the impetuosity of an
excited and vengeful woman's nature she
recited the long tale of love, rivalry, hatred
and crime. Briefly, her confession was this:
She is an honest girl who came from
Poland in 1873, when she was nine years
old. Her mother is still living in Almond
street. Two years ago she met Felix
Bazinskie at a friend's house, and allowed
him to walk home with her. Bazinskie is
a fellow-countryman, hailing from Lublin,
a town in Poland not far from Random, or
Radom, where the Kavoritsky family
dwelt. He began at once to pay insidious
court to Rebecca. He would accompany
her on the guitar when she sang, and
during the past summer he called so often that
he completely wore out one of Mme.
Kavoritsky's best chairs. This soured the
old woman's nature, for she had been the
young man's friend.
Rebecca never liked him, she declared,
but had turned her eyes toward Casper
Rosenstahl, an industrious morocco leather
worker, lately settled in the neighborhood.
He came from New York, he told her, and
she believed him. One night when Bazinskie
was at the home of the Kavoritskys
young Casper called. Casper was a much
younger and handsomer fellow, and Felix
evidently hated him from the first
moment. He dissembled, however, and
affected the strongest friendship. In a few
weeks they were calling each other by
their first names. Bazinskie was employed
in a factory on North Eight street, owned
by Walmann, Smythe & Co., makers of
celluloid goods. He wore collars and cuffs
made of the goods he worked in, and
served as a kind of walking advertisement
of the establishment and its products. He
paid no water rent, and found the substitute
for linen decidedly preferable on that
account. Indeed, he kept the place of his
habitation a profound mystery, and,
anxious as Rebecca and her mother had been
to know Bazinskie's surroundings, he had
baffled their curiosity.
Some mystery certainly existed about
the man, and Rebecca decided to "shake"
him in favor of Rosenstahl. She
manifested unmistakable dislike for the celluloid
comb and collar maker, and smiled on the
morocco leather creaser.
On Saturday last Rebecca received a
note from Casper asking her to meet him
on Sunday. At the end, as a tribute to the
soft place every man's heart, are the
words: "How goot was Bazinskie. He haf
forgivt me und sendt a peutiful
meerschaum pibe." This reconciliation between
her two lovers was pleasing to Rebecca.
But she was surprised at Bazinskie's
generosity (it was a new quality in his nature
and [she was] suspicious of his motive.) When she
met Rosenstahl on Sunday, she says, her
first question was:
"Did Bazinskie sendt any tobacco mit dot
pipe?"
"Not a bid."
"Then, Casper, my dear Casper, look oudt
for sieselbst."
Rosenstahl went home thoughtfully when
he left his sweetheart, and probably
inspected the innocent-looking
"meerschaum" pipe. But he had no tobacco
until this morning and had not enjoyed the
luxury of a smoke from it until to-day.
Poor fellow he will never be able to puff
it again.
As Rebecca was returning home from
work on Tuesday last she was met by
Bazinskie. He appeared quite jovial, and
was almost impertinent in his familiarity.
He could not, apparently, resist telling her
that he would rid her of Rosenstahl. She
humored him and encouraged his talk, but
he would not explain what he meant. He
followed her home, and they went into the
kitchen, where her mother was preparing
supper. A lid had been removed from the
top of the stove, and while he stood talking
Bazinskie tossed into the fire a small piece
of something white, which he had been
carrying in his hand. A terrific explosion
followed that blew every stove lid into the
air. Bazinskie laughed as he helped gather
up the pieces. He explained that it was a
bit of specially prepared celluloid. After
he had been chided by the Widow Kavoritsky
for his carelessness he asked:
"How would a pipe made of celluloid
act, I vant to know?" Then he laughed
hilariously.
This exclamation, in the girl's opinion,
fully explains the terrible injuries from
which her true lover is now suffering.